Chaos / Power / Louder
混沌／力量／音量
Photo © Jut Art Museum / 忠泰美術館
Photo © Jut Art Museum / 忠泰美術館
Photo © Jut Art Museum / 忠泰美術館
Photo © Makizono Kenji / 牧園憲二
Photo © Makizono Kenji / 牧園憲二
Photo © Makizono Kenji / 牧園憲二
《混沌 / 力量 / 音量》是一項聚焦於擊鼓行為、聲光張力與噪音美學的聲響演出。
藝術家於 2024 年籌備個展期間開始學習打鼓，在擊鼓的身體經驗中，深刻感受到「力量」與「音量」之間直接且暴力的物理反饋，這與過往依賴數位介面的演出狀態產生了強烈的身體感官對比。
本作品的首次演出發表於 2025 年的個展《在混沌的世界中建立一點序曲 姚仲涵》，當時與劇場表演者卓楷程合作，雙方針對展演空間的架構與現場現實進行即興與再發展的對話。
第二次演出則於同年（2025年）在日本福岡「Fukuoka Art Next」的個展《姚仲涵 光電獸》中呈現。演出選址於前「舞鶴中學校」的體育館，藝術家透過電子鼓介面，將現場裝置、建築空間深度互聯，並在聽覺維度上融合了噪訊、聲光控制與電子音樂，轉化並重構了空間的感知經驗。
Chaos / Power / Louder is a sound performance that focuses on the act of drumming, sonic and light tension, and the aesthetics of noise.
The artist began learning to drum in 2024 while preparing for a solo exhibition. Through the physical experience of drumming, he felt a direct and visceral physical feedback between "power" and being "louder," creating a stark sensory contrast with his previous performance states that relied heavily on digital interfaces.
The work debuted in 2025 at his solo exhibition, INTRO for the CHAOS - YAO Chung-Han. Collaborating with theater performer Cho Kai-Cheng, the duo engaged in an improvisational and evolving dialogue responding to the structural framework of the exhibition space and its site-specific reality.
The second performance took place later that same year (2025) at the solo exhibition Yao Chung-Han: Electronic Monsters, part of Fukuoka Art Next in Japan. Staged in the gymnasium of the former Maizuru Junior High School, the artist utilized an electronic drum interface to deeply interconnect the on-site installation with the architectural space. By blending noise, sound and light control, and electronic music within the auditory dimension, the performance transformed and reconstructed the sensory perception of the space.